The guitars, the colours, where we stand, Soundings, the films, the shed. Or ask a whole question and we’ll answer from what’s here.
Zoe Devlin Love of Alabama 3, on stage with her Gen X.
Players
A few good notes from near and far, of sound stories from Blind John’s players bringing it on home.
Pete Ellison · The Four Flames, previously The Untouchables
Blind John's the Kid is lighter and more resonant than any Gibson I've played.
I love Gibson Les Paul Juniors, especially the SG shape. It can rock but it can also produce an almost acoustic clarity. It's done a lot of gigs. I also own a Superlight Tele. Lovely resonant pine body. Super light!
She started out platinum blonde, John sent me the pictures, but straight away I knew something wasn't sitting right. She had a white pickguard on her, all clean and proper, but the mojo just wasn't there. The vibe was missing.
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John and I had a chat, I told her she needed a bit more dirt under her fingernails, a bit more rust on the soul. Something road-worn. Something that looked like it'd seen a few late nights and lived to tell the tale. I love old pickguards but John had another vision.
The next time I saw her, she'd been transformed. New hardware, a different attitude. The moment I laid eyes on her, I knew he'd nailed it. That was the vibe, that was 'Dirty Blonde'.
She's got a ghost of late winter nights soaked in whisky about her, like memories etched into old wood, faded by time. The Bare Knuckle pickups growl and sing, while the sheer density of the wood gives every note weight and character.
Her story didn't begin when she became a guitar. Long before that, she was a tree connected to the earth, she was planted, grew for decades, stood through storms and seasons, felt sun, rain. She was felled, reborn, served a life in churches, homes before finally being salvaged and given another chance.
Imagine the stories locked inside those fibres, the lives she's witnessed. The songs she's carried without ever making a sound.
That's why Dirty Blonde is the perfect vessel. We don't just make music. She tells the stories that I can't, every mark, scar, note is another chapter in her life, that's still being lived.
It may have what some people view as flaws, and I wouldn’t change a single one, because in those so-called flaws is John.
It’s been everywhere with me and every time I pick it up it gives me something I could never have found on my own.
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That guitar isn’t perfect. It has flaws. Little marks, little quirks, the kind of things a factory would sand away and pretend never happened. And that’s exactly why I love it. Every one of them is you. Your hands, your ears, your stubbornness. There’s something in that guitar I could never have reached on my own, no matter how many hours I put in. Whatever greatness I’ve found playing it, I didn’t find it alone. I found it because you built it. That’s what makes it beautiful.
Gold flake offset TeleMaster, Bare Knuckle Yardbird pickup set, 4 way selector for that classic 'out of phase' position, bound maple neck with bog oak fretboard. Hand relic'd hardware throughout. Now owned by Zoe Devlin Love of the band Alabama 3.